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Type is the area where many designers have had no formal training and have the least knowledge. Good typography can transform an ordinary document or design into an outstanding piece of communication.This one day Adobe authorised course explorers the principles of type, covers what works and what doesn’t and provides practical examples of how to produce typographically excellent documentation using the powerful set of typographic controls in Adobe InDesign.
InDesign CS3 for Typography
Adobe Authorised Courses
 
Public scheduled course £275
Prices exclude VAT.
Private Tuition
£405 for individual tuition.
Prices exclude VAT.

Introduction
• You already know more than you think about type
• Case study: newspaper mastheads
• What do typefaces say?

The character of type
• Different type personalities
• Classy, serious, fresh, authoritative or fun typefaces
• Examples of type that really works

Serif and sans serif
• The origins of the serif
• Classic serif typefaces
• Classic sans-serif typefaces

Measuring type
• Traditional conventions; points, picas and ciceros
• Leading and kerning
• Ways of controlling the vertical space between text
• Ways of controlling the horizontal space between characters
• Troublesome kerning pairs
• Optical kerning in InDesign

Legibility issues
• What the Swiss school can teach us
• Choosing a typeface
• Typefaces that work well together
• Using white space effectively
• Font families

Typographic elements
• Using rules, dingbats, symbols and glyphs
• Ligatures and hanging indents
• Examples of great typography

Type and colour
• Using contrast
• Type for on-screen display
• Colour theory

Font issues
• Font problems
• Font conversion
• Buying fonts
• Free fonts
• Trouble-free printing
• Embedding fonts

Building a consistent, appropriate style
• Creating a coherent style

The 10 commandments of type

Questions and answers

If you'd like to book by phone, or discuss your requirements;

Call us on 0845 676 2250
Email us Sales Team

media_trainingCourses provided by partners Media Training.





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