|
Introduction • You already know more than you think about type • Case study: newspaper mastheads • What do typefaces say?
The character of type • Different type personalities • Classy, serious, fresh, authoritative or fun typefaces • Examples of type that really works
Serif and sans serif • The origins of the serif • Classic serif typefaces • Classic sans-serif typefaces
Measuring type • Traditional conventions; points, picas and ciceros • Leading and kerning • Ways of controlling the vertical space between text • Ways of controlling the horizontal space between characters • Troublesome kerning pairs • Optical kerning in InDesign |
Legibility issues • What the Swiss school can teach us • Choosing a typeface • Typefaces that work well together • Using white space effectively • Font families
Typographic elements • Using rules, dingbats, symbols and glyphs • Ligatures and hanging indents • Examples of great typography
Type and colour • Using contrast • Type for on-screen display • Colour theory
Font issues • Font problems • Font conversion • Buying fonts • Free fonts • Trouble-free printing • Embedding fonts
Building a consistent, appropriate style • Creating a coherent style
The 10 commandments of type
Questions and answers |